Playwrights Industry Day
Date for you diary- Saturday 20th September 2025
Our Playwrights Industry Day brings together some of the most exciting people in theatre to offer you invaluable insights into the industry.
The line up for our first Playwrights Industry Day began with a keynote speech from former Royal Court Artistic Director, Vicky Featherstone, followed by discussions and debates with theatre professionals from venues including Chichester Festival Theatre, The Belgrade, Royal and Derngate, and the Almeida Theatre. Theatre and Literary Agents discussed how they worked with playwrights and other topics covered included collaborative theatre-making, ethical practices and how to work with venues. The day concluded with tips from professional playwrights, including Tim Crouch, Rabiah Hussain on making a successful career and a performance by Testament.
Vicky Featherstone
It was a super event organised by New Writing South – outstanding speakers providing a vast and varied amount of experience across, and insight into, all elements of the theatre industry. Excellent engagement from all in the audience, too.
Jessi Stewart, Independent Talent
Speakers from Publishing Industry Day 2024
Stephanie Bain
Stephanie Bain is the Head of Programming and Literary at the Almeida Theatre, where she plays a key role in the development and imagination of the artistic programme. Prior to her role at the Almeida, Stephanie was a Literary Agent at The Wylie Agency, a freelance script reader for the Bruntwood Prize for Playwriting and the Bush Theatre, and Co-Artistic Director of Babel Theatre.
Gurnesha Bola
Gurnesha is a freelance reader, dramaturg and script editor based in Northamptonshire. She reads for both subsidised and commercial theatre companies and literary agencies. She is currently reading for the Theatre 503 International Playwriting Award and working as a dramaturg with writers commissioned by Soho Theatre and Tara Theatre. For the past two years she has been working in the development of new writing for stage in the Royal Court’s Literary Department.
Her previous experience has always been rooted in the planning, development and delivery of public programmes across a range of arts and cultural institutions including; programming international shorts at Leeds International Film Festival, live broadcast production at the National Theatre, and curatorial work for the V&A and Design Museum.
Corey Campbell
Corey Campbell is the Creative Director of the Belgrade Theatre, having previously been the Theatre’s Co-Artistic Director for 2021. In 2023 Corey, and CEO Laura Elliot, launched the Belgrade Theatre’s restructure and new co-creation model which led to the organisation receiving an uplift in ACE funding during a time where the industry overall was seeing a decline in funding.
Corey is an Honorary Member of the Royal Birmingham Conservatoire for his contribution to the arts and for his realisation and adoption of the future form programme through the process of heutagogy.
Corey was also the Artistic Director of Strictly Arts Theatre Company, formerly supported by the Belgrade’s Springboard talent development programme. Through productions such as Green Leaves Fall and the critically acclaimed, Edinburgh sell-out show Freeman, Corey has used a collaborative, devising process to bring stories from real people to the stage, building long-lasting relationships with audiences through targeted workshops and outreach programmes, with a particular focus on African and Caribbean communities.
Corey’s flagship production for the Belgrade in his tenure as Co-Artistic Director has been SeaView, a new digital television series created, produced, and filmed in the West Midlands using a unique Writers Room project which involved local emerging writers from the region.
SeaView was created using theatrical devising techniques, from an original, pre-pandemic idea by Corey. It celebrates a Black working class aspirational family and all the things they come up against on their journey to achieve great things. SeaView premiered at the Belgrade in 2021 and is now streaming on Amazon Prime.
In 2022 Corey directed the new drama, Fighting Irish, which was a sell-out success and marked Corey’s final project for the Belgrade as Co-Artistic Director for UK City of Culture
2021, before he moved forward to commence projects as Creative Director. Most recently, Corey devised, directed and starred in the acclaimed Belgrade Theatre production, Big Aunty in April 2023.
Sara Clifford
Sara has written over 40 plays including commissions for the Soho Theatre, York Theatre Royal and Nottingham Playhouse, and her work has been produced in France, Italy, Guadeloupe and Hong Kong. She has been Writer in Residence at Brighton University, Chichester Festival and the South Downs National Park; and her play A Thousand Days, was a Finalist for the Susan Smith Blackburn award. She was a recipient of a Developing
Your Creative Practice grant, focusing on Ecodramaturgy, and as a result is developing these ideas further into a three year project, Chalk Land/Conservation Conversations.
As Writer and Artistic Director of her company, Inroads, her focus is on writing with local communities to create place-based work rooted in their stories, creating seven productions including Our Dancing Feet; Home Fires; and Breaking the Silence, all exploring psychogeographic themes such as memory, journeys and loss, as well as, most recently, Sharing the Limelight, with Theatre Royal Brighton, and Two Pairs of Eyes, an immersive ghost story, at Newhaven Fort in May 2022.
She also has many years’ experience of applied theatre, working as a practitioner in health, intergenerational, and formal/informal education settings, including working with groups for the Donmar Warehouse, Clean Break, Soho Theatre, the British Council and New Writing South.
She has just finished the MA in Writing for Opera at Guildhall, with her first opera, Time and Tide produced this summer and she has a chapter about her practice, In Our Sites, in the book, Performance and Communities: Contemporary Case Studies of Socially Engaged Practice (Intellect, 2023).
Tim Crouch
Tim is an internationally acclaimed, multi-award winning writer and theatre-maker based in Brighton. His plays include My Arm, An Oak Tree, ENGLAND (a play for galleries), The Author, I, Malvolio, Adler & Gibb, Beginners, Total Immediate Collective Imminent Terrestrial Salvation, Superglue, Truth’s a Dog Must to Kennel and (with Andy Smith) what happens to the hope at the end of the evening. Directing credits include House Mother Normal (New Perspectives/Brighton Festival), I, Cinna (the poet), The Taming of the Shrew, and King Lear (RSC), PEAT, (Ark, Dublin) Jeramee, Hartleby and Oooglemore and Beginners (Unicorn Theatre) and The Complete Deaths (Spymonkey). Beginners won the 2019 Writers Guild of Great Britain Best Play for Young Audiences. Tim created and co-wrote Don’t Forget the Driver, a six-part series for BBC2 which won Best TV Comedy at the Venice TV awards, 2019. timcrouchtheatre.co.uk @thistimcrouch
Faith Dodkins
Since 2006 Faith has worked as freelance Producer collaborating with artists and creatives across art forms to conceive and deliver transformative cultural experiences in Brighton & Hove, across the UK and internationally. She is interested in projects that amplify marginalised voices, that have their roots in activism and an ambition to support social change. She has produced work in car parks and concert halls, disused office blocks and ice cream vans, on beaches and online with for organisations including Brighton Festival, Camden People’s Theatre, the Barbican, Shoreditch Town Hall, Soho Theatre, The Lowry, Brisbane Powerhouse and Melbourne Arts House. Currently, She’s Executive Producer with TalkShow and has been working with trailblazing women artists, Abigail Conway, Bryony Kimmings and Victoria Melody on the development of new work for the stage and in the public realm.
She is the co-founder and Co-Artistic Director of The Spire, a performance and development space in East Brighton. Over the last 10 years they have supported artists to develop new performance work within the local community, commissioned internationally acclaimed artists like Tim Spooner and Sheila Ghelani for presentations at Brighton Festival and hosted performances by Scottee, Cassils, Mykki Blanco, Laurie Anderson, Emma Frankland and many others in partnership with organisations including Marlborough Productions, New Writing South and Brighton Fringe.
She is a Director of the East Brighton Trust and is a member of the Culture Alliance Governance Group for Brighton & Hove. Since 2022 she has led Safe + Equal – a pilot project exploring women’s safety and equality in the cultural workspace.
Suhayla El-Bushra
Suhayla El-Bushra is a UK based playwright and screenwriter. Her plays include a musical adaptation of Roald Dahl’s The Enormous Crocodile (Regent’s Park Open Air Theatre), The Long Song (Chichester Festival Theatre), The NW Trilogy (The Kiln) and The Suicide (after Erdman, National Theatre. Her TV work includes Hollyoaks, Becoming Elizabeth and Ackley Bridge, and her feature film, Brides (Neon Films/BFI) is currently in post-production.
Vicky Featherstone
Vicky was Artistic Director of the Royal Court 2013 – 2023. She was the inaugural Artistic Director of the National Theatre of Scotland 2005-2013 and Artistic Director of Paines Plough 1997-2005.
As a director focussing on new writing and living playwrights, Vicky has directed over 50 world premieres by some of the country’s leading playwrights and has been responsible alongside her teams for developing some of the finest and most influential new voices of our time. Her work has toured extensively Internationally and Nationally and has won many awards.
Vicky is an Honorary Fellow of the Royal Conservatoire of Scotland, Honorary Professor in Theatre and New Writing from Manchester University and Honorary Doctor of Literature from St Andrews University.
Vicky has served on numerous boards both of educational and arts establishments and has worked extensively in TV as a script editor and development executive in returning drama series. She is currently a trustee of the Citizen’s Theatre, Glasgow.
Vicky played a leading role in the UK theatre movement around Metoo creating the Code of Behaviour which has been used internationally. As a result of this and her leadership at the Royal Court she was named No 1 most influential person in theatre in the Stage.
Holly Gladwell
Holly has worked in theatre for 20 years and is currently Deputy CEO at Royal & Derngate, Northampton, leading the Programming and Producing across its live performance venues and cinemas.
Before heading to Northampton she was Executive Producer for ETT and Paines Plough and also worked for Rifco Theatre Company and the Royal Court Theatre. All of her roles have encompassed the producing and development of new, diverse voices for the stage, ensuring brilliant and inspiring work reaches audiences in every corner of the UK.
Holly trained as a Stage Manager at Royal Welsh College of Music and Drama and subsequently stage managed productions in London as well as on tour in the UK and internationally for a whole variety of companies including the Young Vic, Old Vic, Propellor, Royal Court and BBC.
Rabiah Hussain
WORD-PLAY by Rabiah Hussain premiered at the Royal Court Theatre in July 2023.
Rabiah’s debut full-length play, SPUN, premiered at Arcola Theatre in July 2018 and toured Canada in 2019.
Rabiah was selected as a writer for the Kudos TV and Royal Court Theatre Fellowship Programme 2019 and wrote on the third edition of the Royal Court Living Newspaper. Rabiah was also commissioned by the Royal Court to write a monologue as part of their One Night Stand programme in 2022.
Rabiah co-wrote WE ARE SHADOWS, an audio drama tour of Brick Lane for Tamasha Theatre in 2020. Her other plays include WHERE I LIVE AND WHAT I LIVE For written for Theatre Absolute in 2017.
Rabiah was selected to be part of the BBC TV Drama Writers’ Programme 2020 and the BBC Drama Room programme in 2018.
Chris James
Chris James is Director of Producing & Planning at the Lyric Hammersmith Theatre in London. He was previously at the Royal Court Theatre, the UK’s leading New Writing theatre specialising in producing and developing new plays by living writers. In his time there he worked for nine years in its international team, managing playwright development projects all over the world before moving into producing. He worked on over 30 new plays at the theatre’s Sloane Square home and on national and international tours, before moving to the Lyric in June 2024 to head up their producing team. He lives in rural Surrey with his partner and a miniature schnauzer called Basil.
Charlie Josephine
Charlie Josephine is an actor and writer, committed to creating stories that centre working-class women and queer people. Their most recent play Cowbois, which Charlie also co-directed, enjoyed a successful run at The RSC and the Royal Court. In 2022, their play I, Joan opened to great acclaim at Shakespeare’s Globe. Other work includes FLIES for Boundless Theatre; Massive for Audible, One of Them Ones for Pentabus; Birds and Bees for Theatre Centre; Bitch Boxer and BLUSH at Soho Theatre and on tour. Charlie Josephine is currently developing a new feature biopic with Salon Pictures. They are an associate artist at the NSDF and board trustee at Cardboard Citizens.
Rebekah Jones is a producer with career spanning over 19 years, making work in both the subsidised and commercial sectors of theatre.
She has produced mid scale national and international productions for national portfolio organisations in dance and theatre and has spearheaded co-productions with DanceEast, Sadler’s Wells, and The Royal Opera House.
In 2015, she served as a Relationship Manager for Dance, Theatre, and Touring at Arts Council England, contributing to the development of numerous arts organisations.
In 2018, she co-founded 1DegreeEast, an initiative designed to support dance and physical theatre artists in the East and Southeast of England who are working without producer support. The following year, she became the first Executive Producer at The Marlowe Theatre, leading the 1200-seat venue to win Theatre of the Year for the first time and in 2022 Rebekah Executive Producer at Curve Theatre, where she curated the visiting programme for both the 970 and 314 theatre spaces. She was the Executive Producer for several acclaimed productions at a national scale.
As the interim Executive Director at The Royal Court in 2023-24, Rebekah oversaw the transition of artistic directors and leading the West End transfer and re-mount of the award-winning “For Black Boys” at the Garrick Theatre. Additionally, she was the interim producer at The Old Vic Theatre, producing “The Constituent” with James Corden and Anna Maxwell-Martin.
Rebekah is currently the interim executive director and co-ceo at unicorn theatre.
Hannah Joss
Hannah is a theatre director. Currently she is Associate Director (Literary) at Chichester Festival Theatre, where she focuses on the development of new work including; dramaturgical support to writers, commissioning and supporting the Artistic Director Justin Audibert in programming the Festival and Minerva Theatres. She was previously Resident Director at the National Theatre Studio, a director in the most recent Old Vic 12 cohort, Resident Director at the Almeida Theatre and Baylis Assistant Director at the Old Vic. She is also an Open Door mentor.
Chinonyerem Odimba
Chinonyerem is a Nigerian British playwright, screenwriter, and poet. Her recent work ranges from Medea at Bristol Old Vic, We Too, Are Giants for Kiln Theatre, Unknown Rivers at Hampstead Theatre, Prince and the Pauper at Watermill Theatre, The Seven Ages of Patience at Kiln Theatre, and Princess & The Hustler which toured across the UK for Eclipse Theatre/Bristol Old Vic/Hull Truck. She is currently working on commissions for Young Vic, RSC, and Paines Plough. She was the inaugural Writer-in-Residence at Royal Welsh College of Music and Drama in 2020/2021.
Jack Parris is a performer, theatre-maker, writer and facilitator. Prior to his work with BPT, Jack worked as a teacher, musician and actor and experimental film-maker Egg (2016), The Hex (2017) and Words (2018). Jack retrained in Theatre Laboratory at RADA in 2019 and now his practice focuses on co-creating physical theatre through play using embodied approaches influenced through his time working with David Glass Ensemble, Theatre Re, Peta Lily, Gabrielle Moleta Company and Gecko. Jack currently works with the devising ensemble Kreants, Saksi Bisou and Bunkum, whose recent experimental film Dangling Man was in the official selection at the London International Film Festival and the Montreal Film Festival.
Emma Rees is a theatre consultant, working recently with organisations including Chichester Festival Theatre, Kiln Theatre and London Theatre Consortium (LTC). Previously Director of LTC, she led on strategic projects working across the 14 member theatres, including the LTC Creative Apprenticeship programme; a sustainability programme in partnership with Julie’s Bicycle; and projects with a focus on workforce development, inclusion and representation. She also undertook an extended secondment as Senior Relationship Manager, Theatre in the London office of Arts Council England.
Jessi Stewart
I’m an agent at Independent Talent Group. I represent writers, directors and producers working across theatre, television and film.
Testament
Testament is a playwright, poet, rapper and world record breaking human beatboxer. Theatre work includes writing for the Royal Court, Leeds Playhouse, Royal Exchange Theatre Manchester, Opera North and The Roundhouse. Television work includes work for BBC, Channel 4, Netflix and Disney Plus. His work as a musician includes the celebrated Hip-Hop album Homecut: No Freedom Without Sacrifice.
Testament is the writer of the UK Theatre Awards nominated 2018 play Black Men Walking (Eclipse Theatre/Royal Exchange Manchester/Royal Court) and more recently Testament’s BBC Radio 4 drama Daughter was nominated for the Prix Europa and won special commendation for Best Single Audio Drama at the BBC Audiodrama Awards 2023. Testament wrote, composed and performed in acclaimed show Orpheus In The Record Shop (Opera North/Leeds Playhouse) which was televised on BBC Four.
Testament is writer on the Netflix anime series Castlevania Nocturne which was nominated for Best Adaptation at The Game Awards 2023. Testament was 2019 write-in-residence at The Royal Exchange Theatre, Manchester, and a supported artist of the theatre’s Open Exchange in 2018. He is currently the 2024 Black Nature Writer-In-Residence for The Yorkshire Dales National Park. www.testamenthomecut.com
